Behringer CP3A-O Oscillator Controller Eurorack Module Guitar Amp Heads By working the familiar stepped

By working the familiar stepped input gain control (up to 70db alone) and the -30dB pad against the variable output fader (which provides an additional 10dB of gain)

snug compartments to separate the individual components of the kit

The S-zone gives system installers all the features they need to control up to four zones of audio with a compact

CUSTOMIZABLE MICRO-KNOB COLORS: Choose from 9 custom colors to assign and save to any preset for visual identification during live performances

you can use output 3 as source for an independent sub with individual level and mute control

Behringer CP3A-O Oscillator Controller Eurorack Module Guitar Amp Heads By working the familiar steppedModular Synthesis The first System 55, 35 and 15 synth modules came out in the early 70s and tended to be extremely expensive. They were mainly all discrete transistor designs as op amps at the time were very high cost. The discrete circuitry gave the modules a very distinctive sound and were used by artists like Keith Emerson, Stevie Wonder, Tangerine Dream and so many more, giving us some of the greatest records weve ever heard. Modular synths were